What is a good mixer? It has excellent sound quality reproduction, very low background noise, a pure equalizer, rich bus architecture, a noise-free signal distribution network, etc.. This is already a very good mixer. But have you had enough? We think, for a good mixer, there should have been other good qualities.

　　Stemming from the pure love of music, and the eager pursuit of realizing the true voice recording and playback, our design team, have experienced time and time again live debugging processes, being afraid of no hardship to listen ，compare, and research, to find out the essence of those moving and inspiring music.

　　We apply these real experiences and feelings of performances, and the resulting understanding of music, to our designed products, to achieve the desired effects of the sound performance.

　　This is the V-Series mixing console we’ve launched! Not only has it the elements possessed by one good-quality mixer, but also it has been enhanced overall with the best zero-noise microphone pre-amplifier, the pure but highly musical equalizer, and the clear, simple and intuitive operational control interface, in conformity with ergonomic layout and structure. This is a mixer designed purely for music.

　　This is the products which we are proud of. We will dedicate them to those live sound engineers who hope to achieve the best performance out of the device, and to get the best musical expression.



V + Z microphone pre-amplifier, all-symmetry all-balanced zero-noise current amplifier, very low distortion and with a sufficient space margin and a very wide gain range；

High musical nature and pure equalizer, music handling power to create personality, precise control and superb music nature；

Each channel has the same signal flow process and PCB layout, using the top-class, extremely small-error original components, and strict quality control, so that each channel's sound performance is consistent, and a signal, whichever channel it is transmitted to, has shown the consistent effects；

Both input channels and the main control section, has a clear, simple and intuitive control interface. It looks very complicated, but the operation is very simple；

The powerful SOLO function, and the precise level indication system, is easy to control and analyze the overall music signal strength and direction；

Redundant backup power supply system, dual-power backup for each other, provides maximum protection for the live performance. Even if any one of them has problems, there can be noise-free connection to ensure uninterrupted work of the mixer；.

24, 32, 40,48 channel frames；

LR and M main outputs；

4 Audio groups with pan control；

6 Auxiliary sends with per-channel pre/post fader switching；

4 stereo channels each with mic and dual stereo line inputs；

7x4 Matrix；

M can be configured as LR sum, Wedge, or Aux-Fed Sub or C master；

Recording capable with channel direct outputs；

Matrix external inputs with level trims and common input capability；

Stereo channel line inputs can be independently routed to LR；

Stereo channel mic input breakpoints for cross patching into matrix；

Responsive 4 band, 2 sweep EQ；

100Hz channel high pass filters；

Individual phantom power and Polarity switching；

Dedicated Channel, Master and stereo Monitor meters；

Mutes, meters and AFL on all fader masters；

Assignable talkback；

1 kHz oscillator and pink noise generator；

2-track monitoring and replay to LR；

Headphones and local monitor outputs；

Electronically balanced XLR outputs with +26dBu drive capability；

Preamp +34dBu maximum input capability for mic or line；

Ultra low noise mix head amp design；

100mm dust protected faders；

Metal jacks, gold-plated XLRs, sealed pots and switches；

Solid copper bus bar grounding；

4-pin XLR lamp sockets；