The KMS 105 microphones have been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage.The KMS series has become the internationally acknowledged standard for first-class stage microphones.The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performa..
The extremely quiet self-noise of the TLM 103 is regarded a milestone until today. In technical terms: a noise level of just 7 dB(A). In other words: the TLM 103 is so low noise that even the faintest nuances become audible. Thus, it is perfectly suited for vocals and audio drama productions in high definition as well as for demanding samples production and instrumental recordings. Once the S..
The Neumann U 89 studio microphone presents improved acoustical and electrical characteristics and better high end response when compared to the U 87A. The U 89 has a dynamic range of 123dB, five polar patterns, a 6dB pad, and a 2 position LF roll-off switch. The U 89 also has little or no off-axis coloration.Famous for broadcast use, the Neumann U 89 is recommended as a general orchestral microph..